Sony has now shown its hand for the PlayStation 4 at E3, and it looks to be aiming squarely at the hardcore gaming market. In what is certainly not a co-incidence their latest press release was at pains to point out that the PS4 will be doing exactly the opposite of all the things that have so annoyed hobby gamers about the Xbox One so far. It won’t need to connect to the internet once per day. It will run used games. It might not be backwards compatible but you will be able to play PS3 titles streamed online through Gaikai. It’ll be cheaper, and have a bigger library of indie games. The message from Sony couldn’t be clearer: we’re the hardware for serious gamers, and we’re listening to what you want.
In case you didn’t get the memo, Microsoft just revealed its new $500 (?) television remote control/cable box called the Xbox 361. It also may play some video games, according to some suit in a blazer and jeans for the special occasion.
The new Call of Duty game was shown and it will be a Durango exclusive for a couple of days. As long as you pretend that games like Thief, Vanquish, and Brink never existed it will provide innovative new gameplay experiences like the ability to lean and slide. Also, for the first time ever in a video game, there is a dog. What is most impressive though, according to the video I watched, is how the Xbox Infinity will simulate Captain Price’s arm hairs better than ever before. There were also some wireframes that show how your dudebro entertainment experience will come alive like never before with the NextBox. I thought it was pretty touching seeing those soldiers cuddling up. I hope my bros will purchase the Xbox instead of the PS4 so that we can share the man-love a couple of days early.
See that car right there? That’s a Koenigsegg Agera R. It’s a pretty sweet car. It has an approximate top speed of 273 mph. It can reach 200 mph in a hair over 17 seconds and then brake to 0 mph in less than half of that. At the current exchange rate, it costs around $2 million, but that’s for the carbon fiber version which adds an extra $270k.
Along with being a hypercar that I will never be able to afford, or probably even be allowed to look at, it is the final car to beat and then shut down in Need for Speed: Most Wanted.
As I mentioned on the podcast a few weeks ago, Clayton Grey, No High Scores reader and Don’t Shoot the Food Photoshopper extraordinaire is currently working on Television, an adventure game/WarioWare-esque mashup for the Ouya. Clayton and his partner-in-games Sam Strick recently took the Most Surprising award in the Create game jam sponsored by Kill Screen and Ouya. Clayton was kind enough to answer some questions via email and give a glimpse as to what life is like for independent developers looking to make a go on the Ouya.
Once you’re done reading, be sure to head over to their Kickstarter for Shift, a single card CCG currently in development.
A copy of Gearbox’s (?) Aliens: Colonial Marines arrived at stately Barnes Manor yesterday. I just had to load it up and give it the same chance I give every other game, despite the fact that it’s received absolutely scathing reviews from every publication except a 9.0 from an EGM reviewer that apparently either has no taste or really is one of those infamous, paid-off journalists. Before we get rolling, let me go ahead and state quite clearly that I am an Aliens fan. When I was four, I had the legendary Kenner Alien toy. When I was 11 years old, I saw Aliens in the theater and as soon as I got home I took my list of favorite movies off the door of my room, crossed off Big Trouble in Little China, and wrote “Aliens” in the #1 spot. So let’s head off those “well, he must not be a fan of the property” claims at the pass. Continue Reading…
It’s not uncommon for folks in the video games industry to say incredibly stupid things- the kinds of things that point out how clueless, in denial, and utterly corporate the business has become. Two recent items caught my eye and ire. One is a statement made by a Capcom executive during a 3Q shareholder call. The question was point blank- why did Resident Evil 6 miss its sale mark of 6 million copies sold, landing somewhere around 4.8 million? The response was typical corporate bullshit, saying absolutely nothing in a way that sounds important. There’s talk about analyzing causes, validation that 4.8 million sales indicates a popular title, and a bunch of unmitigated corporate bullshit about how marketing and “internal operating frameworks” need to be examined to determine shortcomings (you can make your own “jackin’ off” gesture at home). The other is a comment made by Puzzle Clubhouse CEO Jesse Schell (who?) at last week’s DICE conference about how releasing a demo harms game sales, potentially halving them. He went on to explain that the best way to sell games is to release a trailer and provide the consumer with no possible way to try it before you buy it. Love you too, buddy. Continue Reading…
I’m a big horror and science fiction fan, particularly of the more intelligent strains of those genres, and I love survival horror video games. All of the above means that I should be practically spooning with EA’s Dead Space franchise in my wheelhouse. I thought the first game was decent but not great, too often relying on carnival funhouse shocks and Cannibal Corpse-caliber gore while underplaying the more compelling elements of the narrative. But I loved the second game and called it one of 2011’s best, everything from the action to the horror and SF elements were better managed and there was a great sense of world-building that the first game sorely lacked. And here we are on the eve of a new Dead Space game, and I will not be buying or playing it. Continue Reading…
One of the worst- and woefully dated- things about Capcom’s Devil May Cry series is Dante. Sorry to send those of you who still think that a guy with white hair in a red trenchcoat is “cool” crying into your Trigun cosplay jacket, but Dante is a bad character that really ought not appeal to anyone over the age of 16. It’s that charmingly clueless sense of whatever Japanese “cool” is that’s kept him afloat all of these years, and the fact that he’s starred in at least three great action games that all have their share of clunk and junk ranging from terrible writing to bad pacing to unbalanced design.
So after all of the fan rage over Dante’s makeover, we’re left with the new title in the franchise, DMC, and a host of things that Ninja Theory has done with this long-running brawler franchise. I’m just a couple of hours into the game, having just ushered what the game calls a Succubus to a rather gruesome death in the bowels of an energy drink factory, but I’m not hesitant to state that the new game is the most refined, slickest game in the series. It’s by far the best-written, it’s the best looking, and it is the most seamlessly fun. Continue Reading…
When you spend a lot of time covering games, either professionally or for a hobby, it becomes very easy to think that every fan of games falls into the same shrieking hell pits of frothing insanity brought about by this change or that ending. The reality is that most of the people who play games not only don’t know about the various “Insert game name here”-gate style brou-ha-has that pop up, seemingly every day, but they don’t care. They see games that they may like, buy them, play them and usually enjoy them. If they don’t, they move on to something else and live happy lives, unencumbered by the nautical miles of internet rage that accompany almost every release these days.
I mention this because, in playing DmC: Devil May Cry, Ninja Theory’s reboot of Capcom’s brawler, I had a brief shining glimpse of what it’s like to live in that rarefied air of Not Giving A Crap Mountain. As I have mentioned here before, I have no connection to the Devil May Cry series, so I don’t care what Dante looks like, or what clothes he wears. I played DmC because I heard it was good and lo and behold, it was.