If you’re looking at licensing a cult TV show to a board games manufacturer, I’ve got a hot tip for you. Gale Force Nine and the crack team of Aaron Dill, John Kovaleski, and Sean Sweigart should be at the top of your meeting schedule. This company (previously known primarily as a maker of miniatures gaming supplies) and these designers are two for two with last year’s Cracked LCD Game of the Year shortlister Spartacus: A Game of Blood and Treachery and this year’s outstanding board game based on the almost fanatically revered (and short-lived) Firefly TV series. Continue Reading…
You’ll realise, no doubt, that Warage is a clever play on words. Making a compound of “war” and “age” cunningly creates the word “rage”, conjuring the white heat of fantasy melees, the ancient and primal fury felt my elf for orc and vice versa. It’s a smart title.
The game underlying it is not smart. It’s a dumb game, but it’s dumb in a good way, the sort of way that an overly playful rottweiler puppy is dumb, full of teeth and fluff and eagerness. It’s a game where you slap down cards, gloat and chug back beer.
More than few people online and out in the real world complained that last year’s smash hit Lords of Waterdeep was lacking. Lacking depth, lacking substance, lacking narrative, lacking theme, whatever. Frankly, I think these folks are lacking good taste but boy howdy do I have a game on the table for them. If you’re one of these people that liked the core worker placement gameplay- driven by quest cards and featuring more direct interaction and interference than typical of the genre- then Pandasaurus’ Yedo ought to be on your Christmas list this year. The game plays very much like a meatier, richer, and more complicated version of Waterdeep in Feudal Japanese drag but it wouldn’t quite be fair to call it an extrapolation or extension of that game’s concept because it very much marks its own territory in the worker placement genre. I’m not even sure if the designers of Yedo had ever played Waterdeep before working through Yedo’s development, but some notable parallels are definitely there. Continue Reading…
I’ve always loved interaction in games. I’d bet that most gamers do, really, it’s just that those who’ve chosen to embrace the bloodless, over-balanced mechanical model that runs screaming as far from zero-sum games as it possibly can think that logic is more important than interaction. But there is, thankfully, an alternative. Instead of having players taking chunks out of each other, you can instead encourage them to co-operate for mutual gain.
My suspicion is that this what Trains and Stations sets out to do for the light family gaming crowd. Clearly influenced by age-old classic Poker Dice, the game sees you roll a handful of beautifully marbled custom dice, picking what they want to keep and rolling the others again. Except that, in a nod to modern sensibilities of choice and strategy you can actually keep certain dice from turn to turn if you find you didn’t roll the combination you were looking for and you have to pay for each re-roll.
When my children were small and I didn’t get out much I played a lot of solitaire board games, and I decided that I didn’t like solitaire board games all that much. It’s hard to see what they give you that a strategy video game doesn’t, except lots of annoying overhead. There was, however, one exception: Vietnam air-war game Phantom Leader.
It’s part of a whole series of related air combat games from Dan Verssen Games. Hornet Leader is one of the more recent and critically lauded entries, and after my experiences with Phantom Leader I was pretty excited to try it out.
I made it abundantly clear, I hope, that I absolutely love Duel of Ages II in my recent review. I think DOAII is a brilliant game that manages to get at some very elemental concepts of play that reach all the way back to schoolyard games like cops and robbers while also creating a vast, “anything can happen” framework for players to create narrative. The designer, Brett Murrell, has been working on Duel of Ages for over a decade at this point, first releasing the game and a series of expansions back in 2003. The new edition arrives at a very different time in the boardgaming hobby, and at a time when I think it may just be the game that we need to cut through the crap and get back to old fashioned fun.
Mr. Murrell was kind enough to offer his thoughts up about DOAII and design in an interview, so over the course of the next two Cracked LCDs I’ll be presenting the results of this conversation that we held over email . I think Mr. Murrell has some interesting things to say and I hope you’ll enjoy his insights. Continue Reading…
There’s a lot to like about Privateer Press’ High Command card game, available in Warmachine and Hordes flavors (or Warmachine-Hordes swirl if you own both). The production design is outstanding, with great illustrations. As a lapsed Warmachine player, I’m happy to see Privateer Press leveraging its fertile, proprietary settings to create games outside of their usual tabletop miniatures domain. And overall, it is a good card game with a couple of impressive ideas, despite some fairly routine gameplay processes. It’s billed as a deckbuilder and that may illicit some groans from the audience since that particular genre is quickly becoming as exploitative and cash-grabby as themed versions of Monopoly are, but it really isn’t anything like other games in its class. It’s more of a Battle Line-descended contested location card game with an interesting way of gradually increasing a player’s options over the course of a game by drafting cards into a play deck from a personal reserve. Continue Reading…
I was going to write up a review of Scoundrels of Skullport, the recent expansion for last year’s surprise hit Lords of Waterdeep, but at the risk of miffing the press handlers at Wizards of the Coast that sent me a review copy, I’m not going to do that. There are lots of reviews out there already. The thing about it is, if you like Waterdeep, you probably already own this outstanding add-on. If you didn’t like Waterdeep, the addition of some new gameplay areas and new oh-so-tempting corruption mechanic that greases wheels and makes some quests easier to complete isn’t going to change your mind. For my part, I’ve found both elements of the expansion to be very welcome and I’d rather not play without them- especially since the game now supports a sixth player and still stays under two hours.
Fantasy wargames have a sad history of being far too much wargame and not enough fantasy, tired repetitions of stacking limits and zones of control but with dragons in place of Panzers. Adventure board games, in a similar vein, have always struggled with the inherent problems of making a genre that celebrates individual achievement and massive power differentials into an interactive, strategic form. Runewars seems like Fantasy Flight’s attempt to solve both these problems at one stroke.
Players pick a side, build a board and launch into a fast-paced cycle of season-based turns in an attempt to conquer as many dragon runes as possible. There are various routes for doing so. The time honoured method of annexing territory from your neighbours is one, and that’s your fantasy wargame. Slipping hero figures silently through the massed hordes of your opponents to fulfil quests in different territories is another, and there is your adventure game. Finally there are various events and auctions that can occasionally be manipulated to gain a rune and that’s pure Fantasy Flight, an uneasy but often brilliant mish-mash of old-time game theme with modern-style mechanics.