Everywhere you turn these days, there’s a news article or a comment about how the Wii U is a “disaster”, a “flop” or a “failure”. There are constant reminders everywhere from the teenager blog sites to the Wall Street Journal that Nintendo’s beleaguered console isn’t selling as well as Iwata-san and company had hoped. There’s no doubt that Nintendo’s overly optimstic sales projections were a tragic misjudgment of the market- a market which I don’t think the Wii really belongs to. The Wii U isn’t really a competitor to the Xbox One or PS4. It’s a Nintendo console made to play Nintendo games. The handful of AAA ports are almost incidental. Sure, the marketing for the console has ranged from terrible to confusing to non-existent- but that’s no reason for such a great gaming machine to fail. Or for self-styled “game journos” and actual journalists to lie about it. Continue Reading…
NetherRealm’s 2011 reboot of Mortal Kombat was an unexpected hit- not to mention one of my favorite games of that year- yet the follow up, Injustice: Gods Among Us has still managed to surprise me and in some ways it’s the superior game. Following on from Kombat ’11, it’s a brutal one-on-one fighting game that manages to pull off that very tricky balance between technical, skill-based gameplay and populist accessibility. It’s packed to bursting with (get this) single player content and of course a great roster of fighters including some of the biggest names in the DC Comics universe. That’s right, this is the game that will finally let you put to rest the question, “who would win in a fight between Harley Quinn and Doomsday?” Continue Reading…
Reflecting back on the year in video games is pretty grim. There was plenty of mediocre junk and really just a couple of really significant titles. The industry kept truckin’ on toward its self-circumscribed oblivion, writ in DLC, preorder bonuses, shoehorned multiplayer, sixty dollar price points, and endless iteration. Vaporware was popularized by Kickstarter, and indie games apparently brought innovation to the medium by whimsically mimicking twenty and thirty year old design concepts and game styles. Then there was that long, dreary summer where almost nothing of note was released. And then there was Lollipop Chainsaw. Come, Armageddon, come. Continue Reading…
Last night, I had my first “wow” experience with Nintendo’s new Wii U console. It wasn’t with any of the late-to-the-party ports or even a first-party offering. It was with the demo for Ubisoft’s upcoming Rayman Legends, now available for download. It’s just three levels, but it’s one of the most exciting, refreshing, and innovative gaming experiences I’ve had all year. It’s heartfelt, beautiful, and genuinely whimsical in a way that no cheapjack indie clone coasting along on fake 8-bit chic or even Nintendo’s own nostalgic Super Mario Bros. Wii U is. It’s joyful, full of love for video gaming and without a trace of the kinds of commercial cynicism or insulting lowest-common-denominator condescension that have become endemic in the industry. Continue Reading…
I was in the shower yesterday, just a couple of hours before heading out to the Gamestop to pick up my Wii U preorder, when I thought to myself “why the hell am I buying that stupid thing?” Thus began a tumultuous, flippity-floppity bout of a priori buyer’s remorse as I reminded myself of how I really didn’t want to play yet another Mario game (but in HD!) or a host of ports with pseudo-tablet support bolted on. ZombiU, my other pick out of the launch lineup, was getting a critical drubbing- most notably from IGN, who just a couple of weeks ago posted a radioactively glowing preview calling the game the Wii U’s “killer app”. I guess the IGN editors’ idea of a “killer app” is one that rates a 6.3 or “Okay”. What’s more, I found myself thinking that if I were going to buy it, I wanted the deluxe set after all. Not the 8 gig poor man’s version that I opted for to save $50. Damn Borderlands 2 for coming out the day I went to preorder. Continue Reading…
The worst kept secret at Bioware is that Dragon Age III is in production. Today, franchise Executive Producer Mark Darrah makes that all official-like with an open letter. Given the lack of any detail to speak of whatsoever, there’s not much to report here. Here’s the most relevant bits from the letter.
So here’s what I can confirm for now:
- The next game will be called Dragon Age III: Inquisition.
- We won’t be talking about the story of the game today. Though you can make some guesses from the title.
- This game is being made by a lot of the same team that has been working on Dragon Age since Dragon Age: Origins. It’s composed of both experienced BioWare veterans and talented new developers.
- We are working on a new engine which we believe will allow us to deliver a more expansive world, better visuals, more reactivity to player choices, and more customization. At PAX East, we talked about armor and followers… Yeah, that kind of customization. We’ve started with Frostbite 2 from DICE as a foundation to accomplish this.
You check out the rest here, if you’re so inclined.
After the break, however, I can offer you an NHS-exclusive look at the main Foozle in DA3! (Yes, this is an excuse to make you click through to see something that is decidedly not the main Foozle in DA3. It’s worth it.)
Nintendo released a metric ton of Wii U details this morning, across every territory on the globe capable of receiving electronic transmissions, so we now have a whole bunch of Wii U information to digest. Some of these things genuinely surprised me, some not so much. What is not at all surprising to me is that I have no idea if I’d get Wii U at launch. I have long since learned that there are two things that I don’t rule out buying: Transformer alt figures and Nintendo consoles at launch. Too many times I have gone on at length about my unwillingness to buy either, only to be proven wrong by my craven need for material goods.
I’m feeling list-y today, so here, in no certain order, are ten things we know about the Wii U, and by extension, Nintendo, that we didn’t know this morning:
We frequently discuss topics such as DRM, connectivity requirements, and PR/marketing stunts; topics that don’t necessarily impact our gameplay directly, but ones that most certainly affect our experiences as consumers. Last month, an update (and subsequently retracted update) for FEZ on XBLA brought the issue of certification to the forefront. The gist of the story is that Polytron Corporation had to decide between leaving a bug in the game, or paying tens of thousands of dollars to (hopefully) patch the bug and get re-certified.
Until last month, I have to admit that I had never considered the role of certification in game development and how the results of that process trickle down to us as consumers. Certification on consoles was the topic of recent editorial by Kyle Orland at Ars Technica, but I found the full-length opinions and examples offered by Jonathan Blow especially illuminating.
While certification is meant to provide standards, FEZ shows how the process can be equally counter-productive. In the end, neither the consumer nor the developer come out on top. This is opposed to a PC release that can be patched for free. But, as Blow points out, a major problem concerning certification is the time spent coding and tweaking required features that have little to no impact on the final product.
Kotaku did something interesting yesterday. Which is not to say that they never do anything interesting, in fact, since Stephen Totilo took over, I’ve quite enjoyed the changes to the site, but yesterday’s event, in which they invited an anonymous employee of a major video game publisher to answer reader questions, was particularly interesting.
There were no huge bombs dropped, nothing scandalous announced, no earth shattering revelations, which is why it was so damned compelling. It was nothing but common sense answer after common sense answer, yet what I found so interesting about the whole thing, was how it appeared that the people asking the questions never thought of these answers themselves.
For Jumping the Shark #133, Brandon and Bill celebrate the coming of Summoner Wars on the iOS. (I’m sure I’ll join the jubilee soon. Took the time to figure it out over the weekend and am starting to feel its draw.) There’s also some Amazing Spider-Man discussion and a Bill tangent about not liking fun murderers. And really, who does? Leading off this week, though, Brandon and I wax poetic about the revised Mass Effect 3 ending and he gets me to say something that, in a righteous universe, ought to never ever happen – “Brandon, you’re right.”
And even now a chill goes down my spine.