It’s been a while since I steered anyone toward my series on tabletop versions of video games over at Gamerati. But since I did one on the StarCraft board game to coincide with the final digital game in that series, Legacy of the Void, I figured it was time for a reminder.
However great the StarCraft board game was, I think it would have been better with looser ties to the source material. It would almost certainly have resulted in a similar game but one which was a lot less complex to digest. In that respect it’s almost the opposite of the Civilization board game which, as I argued in another column, is a quite brilliant reduction of the digital essentials to tabletop format.
The other thing I wanted to talk about this week is lasers. I was playing X-Wing a couple of weeks ago when my opponent pulled out a laser line for checking up on some the firing arcs. It’s a brilliant idea: X-Wing models are so top-heavy, it’s hard to get a ruler in to measure the angles properly without knocking them all over. The laser is more accurate, less clumsy and, best of all, looks awesome in the middle of what’s supposed to be a laser dogfight.
I was so impressed that I wrote a piece about using the device in X-Wing and Armada for the manufacturer. It’s called a Target Lock and, while they’re made in Denmark, you can get them from specialist shops all over the place. So stick one on your Christmas list. I can see it being useful in pretty much any and every miniatures gaming system.
Speaking of Christmas, what I’d like most in the whole world is some more Patreon supporters. But it’s not something I can really put on my Christmas list so I’m putting it here instead.
My video game time recently has been all about Hard West. This has been trailered around as being a “cowboy XCOM”, which it kind of is. But the essential mechanics of XCOM remain easily good enough to power a game. And on top of that, what makes Hard West special is the excellent and imaginative atmosphere and storytelling.
It’s more weird west than wild west, but the supernatural elements are done with subtlety and flair. You do get to flat-out demons in the end, but the narrative along the way is excellent. There are eight campaigns, each of which, in a neat twist, ties in with events or characters from one of the previous stories to make a satisfying whole.
It hasn’t got massive critical acclaim, but I think it’s one of the best things I’ve played this year. Worth the entry price for the experience alone.
I’m also contributing to Pocket Tactics now, which is great as I can’t think of a much better place to explore my crossover of interests. My first piece there was a review of Steam: Rails to Riches, a title I wholly recommend to deep strategy masochists who don’t want to deal with other human beings, even over the internet.
The other big event in gaming is that I finally got to play Journey. It was worth the wait. I feel like I could write essay upon essay about this game. About all the tiny clever design choices that go in conveying emotion to the player. About how you naturally find ways of communicating with your fellow players using only musical notes. About how freedom of movement, or lack thereof, is central to the game’s message and appeal.
But I won’t. I’ll just settle for saying if you haven’t played it, play it. It’s one of the best games of the last decade.