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Thrower’s Tallies: Top Eight Designers

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All the discussion about “great designers” that we had a couple of weeks ago left me dissatisfied. Rather than just throwing out names that I thought were good or great, I wanted to put some meat on those bones, some rigour to the process. It wasn’t hard to do. And I found the results startling.

We’re talking about my personal opinion here. What I wanted was a way of recognising people who had form for producing stellar games, regardless of how many games they’d actually produced. Now, I rate pretty harshly because I’m of the opinion that games are supposed to be good. Fun is what they’re for, so a game you’ve enjoyed is merely average. To earn a higher rating, it has to show me an impressive time.

Turns out that of the 400-odd games I’ve played, there were about 100 that merited that distinction. So I just went through them and listed their designers, to see how many times each name appeared. I listed game series with the same basic system, such as Commands & Colors, as just one game. Sorry Mr. Borg. But if I’m recognising innovation, it seemed the right thing to do.

The first surprise I got was how few names that turned out to be. Of those 100 there were just eight designers who appeared more than once. Four twice, and four three times. So I was right in speculating that having more than one truly great game to your name is a special achievement. It’s more than most designers achieve in their careers.

What really surprised me though were some of the names on each list. So, I took those four and four to be good and great designers respectively. Here they are, in no particular order within each group.

The Good

Reiner Knizia for Ra and Battle Line

I’m not going to dwell on this as we’ve been through most of it already. Suffice to say that I said Reiner Knizia is a very good designer in my book, and so he proved to be. Battle Line is about the best 30 minutes you’re going to have with two people and a strategy game. Ra remains a fascinating exercise in balancing chaos, tactics and social brinkmanship even nearly 20 years after its original release.

Eon for Cosmic Encounter and Dune

Eon would probably fit the “good designer” category of every Ameritrash fan on the planet, and I’m no exception. They pioneered the art of stripping away all the chrome and clunkiness from highly competetive and thematic titles, decades before it became de rigour. What’s left are masterpieces of spartan, replayable brutality that still evoke a rich sense of setting.

Rachel Simmons for Napoleon’s Triumph and Guns of Gettysburg

On reflection, this is no surprise at all. In fact Simmons really ought to have been in my original list of creative designers. She may only have three games to her name, but the remain some of the most innovative that I’ve ever played. It’s hard to trace their design heritage at all, beyond a brief nod to block wargames. Everyone should play a Simmons design at least once. Even if just to marvel at the freshness of the design, the attention to historical detail in so few rules.

Uwe Rosenberg for Bohnanza and Agricola

Sorry to shoot my load early, but this was the most unexpected name that came up. I haven’t played either game in a very long time, but looking back I did have a great time with both of them. Bohnanza is a fantastic yet uneasy blend of goofy family fun and pure ruthlessness. And while I disliked Agricola at first, it was for a long time the only decent worker placement game with a fun and well communicated theme. I came to really enjoy it in the end, and you can see its continuing influence in the genre even today.

The Great

Vlaada Chvatil for Mage Knight, Space Alert and Through the Ages

Going to gloss over this expected entry. Suffice to say that anyone who designed my picks for the best adventure game, the best co-op game and the best civ game ever is probably due a bit of genuflection. Sir, I salute you.

Corey Konieczka for X-Wing, Battlestar Galactica and Descent 2nd Edition

With Fantasy Flight’s stable of designers, it’s sometimes hard to know just how much who worked on what. So perhaps I’m being a little generous to Corey here, since he shares the billing on two of his games with other designers. But even then, I feel he deserves recognition for Battlestar Galactica. There’s yet to be a better use of the traitor mechanic, or semi-cooperative setup in my opinion. And it’s such a sweet balance of strategy and social mores.

Richard Garfield for Magic: the Gathering, Netrunner and King of Tokyo

This shocked me. It probably shouldn’t have. The thing is that I don’t play collectible card games all that much, so this wasn’t a name that floated to the top of my list when I was mulling over favourite picks. But when you stand back, you have to recognise the genius of a man who pretty much invented an entire hobby in its own right with Magic. Fantasy Flight are now doing their best to put Netrunner, an extraordinary lesson in emergent theme, into the same bracket. And King of Tokyo, one of my most-played games, is just gravy.

Christian Petersen for Twilight Imperium 3, Armada and Game of Thrones

I never think of Christian as a game designer, just as the CEO. It’s almost like my head can’t believe someone is capable of being both at once. And lord knows he’s had his differences with this site. With the exception of Armada, these aren’t easy games, either. I may never play either of his qualifying titles every again. Yet when you step back, that’s not a reason to exclude them: they’re still great games. And that makes Mr. Petersen a great designer.

Cosmic Encounter and expansions review

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Cosmic Encounter was one of the first hobby board games I owned, back when I was a teenager. It was the Games Workshop edition. I can still remember being baffled by the rules. It looked and smelled like a conquest game: there were battles and alliances and units died. But what the hell kind of conquest game made you draw and card to determine your target instead of you picking on the weakest player? Where was the fun in that?

Oh sure, you could still make alliances. The encounter each turn with your random opponent allowed each side to invite people to help out. Sure, there was still excitement, with combat determined by the number of ships on each side plus the play of a numeric card. And the draw of a different alien power for each player was a fascinating idea. But where was the sense of narrative, of slowly building friendships and enmities?

It had rave reviews so we played it anyway, and it fell flat as a pancake. We played a couple more times, waiting for excitement to leap out of the box like some snarling predator. But it never came. It quietly went back on the shelf, and I went back to miniatures and role playing.

Fast forward twenty years and Fantasy Flight released a new edition. And again, it got rave reviews. So I figured I owed it another chance.

This time, when I read the rules, the acclaim made more sense. I still couldn’t understand why you drew a card to determine your opponent for the turn. But this edition had more and better aliens for the players. Each with some ludicrous powers which recombined to make an ever shifting strategic backdrop. It had flares, special power cards that were missing in GWs neutered version of the game. They add a lot of flavour, variety and excitement. It had more interesting combat cards, with things like reinforcements to add tension to negotiation and combat.

And it was better. No doubt about it. But we played it, and it still felt lacking in a certain something. It still looked and smelled like a conquest game. But compared with its genre peers it felt brief and tame. There was little trash talk. Little sense of the epic.

So away it went again, but this time the box nagged at me from the shelf. The game that so many praised to the heavens was in there somewhere. I could feel it lurking, like treasure buried beneath the silt of a river. I just couldn’t figure out how to grasp it and pull it forth into daylight.

What might help, I figured, was seeing experienced players get down to it. But everyone I gamed with seemed as clueless as I did. Until, that is, the Shut Up & Sit Down team posted a video of how they played.

Watching that, the missing piece of the puzzle finally clicked into place. Cosmic isn’t a conquest game. It does look and smell like one, but it isn’t.

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Cosmic Encounter is a negotiation game, pure and simple. What’s more it’s an early European style one, before the first actual Eurogame and way before those games got buried in an avalanche of mathematics. It’s just that in Cosmic you’re negotiating over lives and territory, instead of florins and crates of sauerkraut.

The enabler of this brilliance is, of course, the random selection of an enemy each turn. There’s no long-term alliances in Cosmic because, just like in finance, it only hurts if you hold on to them. If you’re buying and selling it doesn’t matter who sold you what yesterday, or whether it made you a profit. All you care about is the deal on the table, right here, right now.

It helped that I had some expansions on board this time round. The two most important are Cosmic Incursion and Cosmic Dominion. Both have the best aliens of all the available expansions. Both have 32 “reward” cards which can be drawn by players who ally on the defending side in an encounter. Reward cards work like normal combat cards, but are more powerful and add a lot of zest and variety to the game. They’re a great addition because allying with the defence isn’t the most attractive proposition in the original, since it does nothing to help you win the game.

There are other expansions, too. The only other one I’ve played is Cosmic Storm. This set got a lot of flak for featuring a poor line-up of extra alien powers. Some of them do look to be poorly designed. Some others look to be close copies of powers from other expansions. But there are a handful of good additions on offer. Plus the set features space stations, which are a bit like another alien power you can wield, tied to your ownership of one planet. While the selection of just ten gets repetitive these are otherwise a great addition, adding an element of tactical position to the game. You now have one planet you especially don’t want to lose.

Cosmic Encounter has its own special alien power, the power to fascinate. Some gamers are so hooked by its exotic intoxication that they play hundreds of games, rarely playing anything else. With so much potential variety, so much interaction in the box, it’s not hard to see why. I don’t think I’ll ever be one of those fanatics. Somehow the game feels a little too brief, a little too convenient. But I’m glad I understand where the game is coming from now. It’s brilliant and unique, and it’s hard not to love a game that lets you play as The Filth.

Surviving Abner Con

Well, that was fun.

Have you ever invited a lot of people over to your house? I don’t mean a gaggle of friends to watch a movie or play a game or formulate a book club. I mean a legion of gamers for an entire weekend of nonstop hijinks. At one point on Saturday there were 16 people in the house, 20 if you include kids. Our house is fairly spacious but that’s pushing the limits of sanity.

I have always wanted to try and do something like this — to organize a gaming weekend that didn’t involve a LAN. My wife, bless her, was on board and was instrumental in making this work.

The downside to having so many people over is that you can’t possibly spend enough time with everyone. We had guests show up for a few hours and others we had to kick out of the house Sunday evening. That Jon Shafer is such a freeloader. But I didn’t get to play games with everyone which is something I’d like to try to fix next time we attempt to do this.

As a result I missed out on much of the gaming that I wasn’t directly involved in which is a real bummer. Things started up on Friday as Todd arrived and then a few other local friends showed up and we hammered out two games of the wonderful card game Innovation (with its expansion). This was followed up by a game of Chaos in the Old World (a personal favorite). It had been years since Todd played that game and I think he enjoyed it — he actually got in another game of CitOW on Saturday.

Saturday was the “Big Day” as everyone who said they were going to show up — did. I didn’t expect that. I prepared for it but was sure a few people would fail to show. Sure enough…an army of cars were parked in the driveway and three tables were packed with cards, dice, counters, and cardboard. I was fearful that it was simply going to be far too loud to hear yourself think with so much going on, but thankfully it wasn’t too bad.

In fact my table–the Cosmic Encounter table–was by far the most raucous.

At one point we had full games of Shogun, Chaos in the Old World, and Cosmic Encounter running at various tables. Saturday night one table was playing an epic 6-player game of Battlestar Galactica while we were playing a game of Imperial in the dining room. Quite the clash of genres.

It’s funny because when you think about having basically three full days to play games with your friends that it would equate to you playing tons of stuff. Thing is, in the world of boardgames it rarely works that way. From Friday afternoon through Sunday night I managed to play Innovation, CitOW, King of Tokyo, Quarriors, two games of Cosmic, Imperial, a play test for The New Science, and Lancaster. I had played all of those games aside from The New Science (which is still in testing and not available to the public) and Quarriors.

And I hope to never play Quarriors again. Anyone want to buy a used copy? I’m selling…with the expansion!

I need to again extend a thanks to my amazingly patient wife for making a lot of awesome food and to Route 62 BBQ for catering its delicious Carolina style meats. It was a great time and something that I will absolutely try and do again next year.

The gallery has several images from throughout the weekend from Friday afternoon and into Sunday. I’m not in any of them, but this gives you a fair idea of the festivities.