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Android: Netrunner – Creation and Control Review

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Android: Netrunner is a Living Card Game and that means lots of little expansion packs. Quite an alarming number of little expansion packs if you’re a relatively casual player of the game like I am. But this latest pack isn’t little: it’s big. It comes in a proper box and contains 165 cards: 3 copies each of 55 different ones. As a casual player I approve mightily.

Like all the expansion before it, the focus is squarely on one faction each for the corporation and runner players, in this case Haas-Bioroid and the Shapers respectively. That’s a bit more odd considering you get a lot more cards in this deck but there you go. The Shapers probably needed it as, despite their name, they’re probably the most shapeless, ill-defined faction so far. And I like Haas because I’m a former genetic engineer myself. So, again, I approve mightily.

So what do we learn about the Shapers? The most amazing thing about Netrunner, in my opinion, isn’t simply that it’s a great game. There are lots of great games. What makes Netrunner special is the emergent theme, the way that if you stripped away the mediocre art and the pseudo-intellectual quotes and the stupid, obtuse jargon the game employs, it would still feel like a game about hackers trying to bypass corporate security and steal digital secrets. And what we learn about the Shapers follows that pattern.

Look at their cards. Self-modifying code which allows you to pick and play a card from your draw deck. Clone Chip which permits you to pick and play a card from your discard pile. Scavenge, which instructs you to discard something in play but replace it with something else from your hand or discard. This is a faction all about flexibility, about freedom, about feeling the code and being one with the machine. And it comes across in the cards.

You see the same playful spirit in their aggressive cards, too. Atman, an icebreaker you can pump up to any strength you like and keep it there, forever, and which can break any subroutine of any kind looks like a game breaker until you realise the strength is fixed, so it’s really only useful against one kind of ice card. But you get to choose that card. Similarly Cypher-Cypher is a super-cheap and powerful icebreaker but it’s tied to one target server. Escher, an event that sees you rearranging corporate ice as you see fit. Destruction by exploration.

So what about the corporation? Haas-Bioroid had a much stronger sense of identity than the Shapers before this set, but they were a little boring to play. Creation and Control adds spice and uncertainty. There’s a new ambush asset which burns the runner for brain damage in exchange for a few creds. Another shock is Howler, a 1-cost ice card that does nothing except install and activate another piece of ice, for free, directly behind it. Tyr’s hand is an upgrade you can trash to stop an ice subroutine being bypassed. Runs on unknown Bioroid servers now have a similar amount of inbuilt tension and danger as the other corporations.

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Actions generally are a focus, as befitting the Haas-Bioroid vulnerability of having ice that can be bypassed simply by the runner spending actions. The Efficiency Committee agenda, for instance, which gives you two actions in exchange for one and an advancement token. Or the Arcology asset which does the same thing except it’s not an agenda, even though it’ll look like one to the runner. You can save actions a different way with the Pet Project agenda which effectively gives you a bunch of free installs.

There are a few neutral cards, too, but they’re generally less interesting. The most powerful is the runner card Daily Casts which costs three credits but pays out eight, two a turn. It’s pretty easy for runners to make a lot of money with the current Netrunner card selection, and this set makes it easier. Indeed I’ve seen some complaints from tournament players and real enthusiasts that Creation and Control has made the game too lopsided in favour of the runner.

That might be true, although if it is it’ll probably get re-balanced over the next few data pack releases. I can’t really say because I’m not a tournament player or a real enthusiast but a casual gamer who likes to break out Android occasionally with friends and savour that amazing emergent theme. I don’t have that whole arms-race deckbuilding thing going on, and I tend to construct decks just for their amusement value and give them to new players to teach the game.

Given that, one of the most interesting things for me in this set wasn’t so much the new cards but the suggested preconstructed decks to use them. A Haas-Bioroid deck loaded with ludicrously expensive and powerful ice, but with lots of tricksy ways to mitigate the credit cost, so allowing you to be in a much more powerful place than it may appear to the runner. A shaper deck which is all about installing and recycling stuff on the cheap, saving money to power one or two game-changing cards.

I like these decks a lot. Not because there’s anything inherently amazing about them: the corporation one in particular is quite difficult to play. I like them as a casual gamer because they seem very well matched, designed to set up interesting trade-offs and gradual power creep against one another. I like them because they’re full of cards that can be used creatively, challenging the player and demonstrating to the neophyte how much scope for cleverly synchronizing card effects there is in this game.

I like Creation and Control a lot. You could go a long way with Netrunner just owning this and the base set, especially if you don’t intend to be a frequent player. Although I’m glad I’ve got a few more cards personally, just to flesh out my beloved Jinteki. You won’t really need any more data packs. But be warned: if you’ve got this, you’ll probably want them.

Infiltration Review

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Gaming is littered with quirky little titles that play bait and switch with gamers, masquerading as a style of game they don’t actually provide. It’s not a problem, as long as the game is fun. Indeed it adds to the novelty and charm of the title for the open minded. Dungeonquest, for example, looks like a role-play mimic but is in fact a push-your-luck title and a wonderfully brutal one at that.

Infiltration is equally deceptive. At first glance you would expect this to be a fairly straightforward cyberpunk adventure, where the players take the place of criminals attempting to loot a research facility for information before the police arrive based on a partly-random timer. Collect the most data, and get out before time is up, and you win.

And in a sense, that’s what it is. The game is furnished with quality thematic art and the requisite background quotes and flavour text to add a fake air of authenticity. It also offers plenty of opportunity for the players to interact with people and things in the research facility and to do what criminals in botched heists do best: royally screw one another over for a profit.

However, played with these expectations the game is bound to disappoint to some extent. While the card decks that are dealt from to create a new set of rooms for the facility on each play through are richly varied, thematic and interesting, the same can’t be said of most of the other components of the game.

Players, for instance, have no special abilities. They can take only four actions – move forward or backward through the room cards, interact with the room’s function or loot some of its data. To supplement this they also start with four items which are mostly one-shot variations on the basic actions. But the items deck is pretty small. As a thematic exploration, it works moderately well. As a heist game it lacks the variety and tension required to support repeat plays and has a weak strategic framework against which to make interesting decisions.

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It is, therefore, a damn good job that Infiltration isn’t really either of those things. Sure it’d be nice to see some greater variety in actions and items, but it’s not necessary. Those elements are present but rather than make the game, they just add pleasing extra dimensions to Infiltration’s primary purpose. Which is to be a bluffing game.

The first clue is the way that so much of the game starts face down. Rooms cards can’t be seen until explored or examined via technology. The data files they contain are face-down chips of varying value, and it’s the value you score at game end, not the number of counters themselves. Players hands, and stacks of data files, are hidden from one another. Each turn they select an action individually, play it face down, and only resolve the effects once everyone has chosen.

All this hidden information is absolutely crucial to making the game fun. Many of the card effects add to the sleight and confusion, such as the “Blackmail” item which permits a player to cash in some of his hoarded data files to escape the facility with sublime ease. But its clearest in the action that allow players to steal data in the first place. There’s two variants for this (use “Extract”, trust me) but both mean that players get the most if they’re the first to resolve that action, and less if someone else got there first.

That one point of critical uncertainty alone injects massive tension and psychological manipulation into the game. Everyone has to grab as much data as possible in order to win, so if there’s some left where you are, stealing it has to be a prime consideration. But the same rule applies to everyone. So unless you’re first in turn sequence this round, dare you risk it? Action selection is suddenly transformed into a sweat-soaked frenzy of second guessing and double bluff as you try and work out what everyone else is holding and planning.

That’s just when it comes to downloading data. There is, of course, plenty more. Items can allow you to make sudden jumps back and forth through the facility. Others allow you to break tech-locks or murder employees in certain rooms, releasing more data. There are room effects and non-player characters which will hurt or hinder players encountering them. But you only have one action per turn. It’s all about dare, wondering whether you can waste a valuable action to set a trap for another player, or whether you may become an unwitting victim of your own schemes. It’s all down to those cards held and selected by your opponents in utmost secrecy.

infilatration in play

But of course making your decisions in an information vacuum means there’s little mechanical strategy. That’s the source of the common whine about it being excessively light and lacking replay value. The important decisions are all about bluffing and reading your opponents intentions correctly. The replay value is in interacting psychologically with the other players, not with the game itself. It’s a kind of strategy, but not the strategy some gamers might be looking for. Especially not from the same designer as the mechanically stripped down and low-interaction favourite Dominion.

So Infiltration turns out to be a bluffing game in disguise. In this category it stacks up against an impressive number of popular semi-abstract games like Poker which arguably do the whole psychological angle rather more impressively. What makes Infiltration special are the other strings to its bow. The simplistic maneuver and hand management aspects. The beguiling cyberpunk theme sitting on top the the mechanics like a graphical overlay on a pool of data. The direct and often rather nasty player interaction. The push you luck aspect of balancing the data grab with the need to escape alive. None alone may be done particularly impressively, but as props to the core bluff, they function brilliantly.

It’s that blending of relatively common elements into an unusual combination that makes Infiltration. It’s a fast playing and easily learned game that offers you a gripping hour of cyberpunk plot twists, tension and backstabbing and doesn’t let up until the final score tallies are made at the end. Single unexpected plays and events can totally change the course of the game and you have to be able to take that in your stride, while recognising that the skill comes in doing your best to anticipate and ensure things aren’t quite so unexpected. Manage that, and you’re in for a treat.

CD Projekt Announces Cyberpunk

CD Projekt Red just had their big summer press conference and they officially announced their new non-Witchery IP – Cyberpunk. A little on the nose, I suppose, but it’s evidently based on an existing pen and paper property from RPG designer Mike Pondsmith. So, who had Cyberpunk in the pool?

Here are the rest of the details from CD Projekt:

At the conference, CD Projekt co-founder Marcin Iwinski promised players that this game would have all of the hallmarks of the Witcher series that has made the developer so well-known and loved, and even more. Their upcoming RPG will be designed for mature and demanding players who expect to be treated seriously, and the game will be richly detailed, non-linear, and with a complex and gripping story. This much is expected from the talented studio, but the new universe brings with it some new twists in their game design. Players will experience the world through their own, unique characters chosen from different classes – be they blood-thirsty mercenaries or cunning hackers – that they will equip with vast selection of cybernetic implants and deadly weapons. As in the Witcher series, players will face morally ambiguous choices, their actions influencing events in the world at large and the fate of the individuals they encounter.

?Original “Cyberpunk” game designer Mike Pondsmith was at hand for the conference in Warsaw, Poland. “For over two decades, I’ve been proud to say that Cyberpunk’s been the gold standard of what it means to be a true cyberpunk game. And it’s been a huge success for me and our many fans, with over 5 million players worldwide. But over all that time we haven’t found the right team to bring our cyberpunk world to full digital life — until now. CD Projekt Red is the team we’ve been hoping for. Their incredible work on The Witcher and The Witcher 2 shows that they share the same dedication and love of great games that we do at Talsorian. I’m especially stoked that they want our participation in making this game a fantastic project that will live up to everything Cyberpunk fans (old and new) have been waiting for. Trust me — this game is going to rock,” said “Maxmike” Pondsmith.

This game will be developed by a new team at CD Projekt RED Studio, composed of veterans from the Witcher franchise. The studio will set new standard in the futuristic RPG genre with an exceptional gaming experience. The most important goal for this division is to create a game matching their vision, a game that corresponds to their high production values.

Yeah, not a lot of intricate detail here, but as is par for the course these days, expect a lot of dribbling out of info over the coming months (years?).

FFG Rebooting Netrunner

Richard Garfield’s Netrunner was his follow-up to Magic: The Gathering. Netrunner is one of the best games ever published, an amazing asymmetrical design with a very 1990s Cyberpunk theme and some hilariously dated Lawnmower Man-style artwork. And I never thought it would be back in print.

Enter FFG. They’re doing a new edition of the game in their LCG format, which is a fancy way of saying “non-random CCG”. They’ve also rethemed the game somewhat to fit in with their undernourished, generic Android sci-fi noir setting. It’s not that big of a deal since the original game needed some new artwork and updating anyway. It sounds like the core gameplay, wherin a Runner has to break through the Megacorps’ security measures to access encrypted data, is intact.

I’m guardedly excited. When FFG takes a respectful, “don’t fix it if it ain’t broken” approach they do some amazing reprints like Cosmic Encounter and Wiz-War. When they try to mark their territory and force the FFG brand into games where it doesn’t belong- as in Dune/Rex and the royal screw-up that was DungeonQuest- the results can be disasterous. There’s some talk in the copy of factions, which means there may be some rules and format changes and that’s got me nervous.

We’ll find out in Q3 of this year.